Design & illustration
Original illustrations, patterns, products and connected collections. Developing an idea, finding its character and giving it a form.
Designer & Art Director
Illustration · Products · Video
From words
to worlds.
I turn ideas into images,
objects and visual stories.
Range development, illustration & art direction.
Three perspectives from my work at PartyDeco.
An idea to explore, a fresh pair of eyes, or a project to build together. I’m curious about where we could take it.
Tell me what’s on your mindOriginal illustrations, patterns, products and connected collections. Developing an idea, finding its character and giving it a form.
I enjoy making videos and exploring how images, rhythm and movement tell a story. I’m open to creative video collaborations.
A fresh perspective on a product idea, collection or visual direction. We can review work in progress, explore possibilities and work out the next steps.
I like creating with other people — artists, designers and teams. Have a brief, a personal project or an idea that’s still taking shape? Let’s talk.
I’m a designer and art director drawn to illustration, colour, form and moving images. I enjoy making things and working with people who bring a different perspective.
My 12 years in party products took me from hands-on design to Art Director at PartyDeco. I’ve designed products, shaped collections and guided designers and external illustrators, working with sales, purchasing, R&D and factories in China and Poland.
I bring that experience to new ideas, materials and collaborations — with curiosity about what we could make next.
A rough idea is enough. Tell me what you’re thinking — we can work out the details together.
Projects, creative consultations
and unexpected collaborations.
A new direction for a growing range.
Market insights, product roles and creative briefs.

The foil-balloon category needed a broader offer, while the internal design team was working on other priorities.
The task brought together market analysis, range planning and creative development. It needed a clear visual direction and a way of working across external designers and the in-house team.
The work addressed two complementary product roles: universal, retail-ready essentials, and distinctive shapes that could support occasions without requiring a dedicated full collection for every motif.
I co-planned the offer with the Portfolio team, contributing product ideas informed by analysis. I defined the visual direction and considered how expressions, proportions and styling would relate to the audience — from younger children to older kids, with a broad appeal in mind.
I also selected formats: helium, air-filled, standing and wheeled products. These were product decisions as well as visual ones, connecting character with how a balloon would be used and made.
The next question is what a balloon can become: a sculptural volume, a vehicle, a character or part of a larger world.
With growing emphasis on products that do not need helium, air-filled formats became an important part of the range direction. The pumpkin and fire engine show how construction can give a familiar theme a different physical form.
Character development asks a different question: how does a hedgehog belong to a woodland family? Related licensed work adds another starting point — an established character and the licensor’s artwork.

The pumpkin becomes a sculptural object. Its rounded segments and curled stem give a familiar seasonal motif a presence in the room, without helium.

Inflatable wheels support the fire engine, while the ladder extends its silhouette. The illustration and the structure work together as one product.

The hedgehog is part of Balloon Station’s woodland animals. Expression, proportions and gentle graphic details give it personality within the family.

Working with the licensor and their supplied artwork to develop the character as a foil product. The combined forms offer a playful way to bring the licensed world into the room.
PartyDeco product photography, supplied by Joanna. Gabby’s Dollhouse uses licensed character artwork. Original product images, without AI alterations.


PartyDeco products / AI-assisted portfolio compositions based on the supplied product imagery.
The train shows the passage from a flat illustration to an inflated, standing object.
The approved drawing and the finished product share the same graphic character: a tall chimney, hand-drawn spokes, rivets and an orange front. Inflation gives those shapes volume, while the foil surface changes how light and colour read.

Original team artwork
Extracted from the design-development board.

Standing foil balloon / FB463
Air-filled · 76 × 72 cm after inflation.
The drawn spokes, rivets and chimney carry the illustration’s personality into the product.
The flat body becomes a rounded volume. Separate inflatable wheels give the train its standing format.
Seams, reflections and soft shadows reveal what changes when an illustration becomes foil.
I independently sourced and recruited external designers, prepared creative briefs, reviewed their proposals and guided refinements. I personally designed selected products within the broader offer.
The working boards show how those conversations became specific decisions: testing quieter dinosaur colours, simplifying the race car’s graphics and checking how a silhouette could be manufactured.

The feedback explored removing the checkerboard or integrating it into the body, and considered a simpler red-and-silver direction.

The review asked for darker or more muted greens and explored a separate baby T-Rex direction for a younger audience.
Original team development artwork from the supplied review board. Exploration variants, not a chronological before-and-after sequence.
As work moved towards production, I supervised the in-house preparation of production artwork and modified selected designs to make them feasible to manufacture. One constraint recorded in the review was the need for the same cutting outline on both sides of a balloon to manage cost.
RANGE PLANNING — co-created with the Portfolio team.
ILLUSTRATIONS — external designers and selected original work by Joanna.
PRODUCTION ARTWORK — in-house team, under my design review.
MY ROLE — visual direction, product decisions, talent selection, briefs, design reviews and selected product design.
The project connected assortment decisions, design briefs, individual product development and production-artwork preparation. The train connects the process to a finished product; the family compositions show how different characters and formats can sit together.
The broader practice also works at the scale of future ranges: deciding what role a collection should play before developing its products.
More about my practiceThe working plans are not a confirmed launch count. Original illustrations and product development were collaborative; the case does not attribute the entire range to one designer.


Original characters and patterns.
One illustrated world across a party collection.

Design a dinosaur collection that works across a birthday table, decorations and playful accessories.
The idea needed to travel between very different objects: a printed plate, a folded box, a paper hat and a large foil balloon. The connection comes from character, colour and recognisable details, with room for each product to do something different.
I designed the collection’s visual world, including the dinosaur characters and pattern. Forest green, mint and warm ochre connect the illustrations, while palms, volcanoes and small graphic details build the setting around them.
The pattern brings the characters together on the plates. Elsewhere, a single detail becomes the product: a row of spikes on a party hat, a dinosaur silhouette on a napkin, or a character wrapping around a gift bag.


I translated the theme into tableware, gift packaging, decorations and party accessories. Shapes and graphic details connect the range without turning every product into a repeat of the same illustration.
Paper forms bring the characters into the table setting. The foil balloons extend that world into the room; I created the original dinosaur designs and the idea and shapes for the dinosaur numbers, developed with the team.







Dino Fun is a launched PartyDeco collection. The product range connects the invitation to play with the objects that make up a party — from the table setting to decorations and gifts.
BRAND — PartyDeco.
JOANNA HASS — collection and product design, dinosaur illustrations and pattern; dinosaur-number idea and shapes.
COLLABORATION — team development of the number concepts.
PHOTOGRAPHY — PartyDeco.
STATUS — launched products.

A shared vision, shaped together.
Illustrator direction, form development and sample reviews.

Guide the illustrator and work with the technical team to turn an animal theme into a family of physical products.
Each animal brings a different silhouette and personality. The challenge was to connect expression, proportions and construction so these distinct forms could belong to the same family.
I selected the theme, sourced the illustrator and guided the visual direction. Alongside that work, I developed form and construction concepts, considering how a drawn character would become a balloon.
My role connected the character of the collection with the physical experience of the products: their silhouettes, scale and presence in a room.
I worked with the illustrator and technical team to refine the designs, including golden sample reviews. This joined creative direction with the practical decisions needed to develop the physical forms.
BRAND — PartyDeco.
JOANNA HASS — theme selection, illustrator sourcing and direction, form and construction concepts, refinement and golden sample reviews.
COLLABORATION — illustrator and technical team.

The Safari products were launched for sale. The range shows how creative direction, illustration and construction can bring different animals into one recognisable product world.
The same approach extends to Birthday Cake and Christmas Train. For Birthday Cake, I worked on range selection, a new air-filled form and construction concept, creative direction, and pattern selection and refinement with the team. For Christmas Train, my contribution covered theme and scale, illustrator briefing and refinement through development.


Portfolio boards use AI-assisted graphic styling.